“Artificial Intelligence,” quipped one Stanford engineer,” is the science of how to get machines to do the things they do in movies.”
Let us hope that is not the case. Given the inherent unpredictability of the forthcoming emergence of AI, perhaps it was fitting creative artists-rather than technological gurus-were the first to offer an opinion on what the arrival of artificial intelligence might mean to the world. But instead of being treated to imaginative predictions, audiences were subjected to twenty years of adulterated AI, bastardized to justify hours of senseless violence.